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He also manages ongoing sci-fi shows like The Umbrella Academy and Resident Alien, both of which shot in Canada. The executive vp has kept busy translating real-life events into series like Gaslit, Joe vs. As she reflects on COVID-19 protocols, she says, “We had large numbers of extras on some shows, and since cast and extras were unmasked when filming, it was a huge challenge.” Other titles from Beyda set to release in 2022 include Olivia Wilde’s Don’t Worry Darling and Salem’s Lot, a new adaptation of the Stephen King novel directed by horror stalwart Gary Dauberman. Having developed franchises like The Hobbit, It and The Conjuring, the executive vp figures to help revitalize the DC movie universe with Black Adam and Shazam! Fury of the Gods. continue to boost film tax incentives, Berg says that “trying to get A-level crews in any location is becoming tougher, not to mention more expensive.” Heading up production for CBS and Paramount+, the senior executive vp at CBS Network TV Entertainment juggles the new Star Trek universe, including Discovery, Picard and Strange New Worlds, with his ongoing work on the CSI and NCIS franchises. Alonso says Marvel has turned toward building LED monitor wall stages, which is “essentially the old technology of ‘rear screen projection,’ but brought to life in a 21st century way.” She adds: “There are lots of advantages to shooting this way when the project takes the time to craft the designs for it, but there are limitations, which we continue to learn and refine.” With the help of this president of physical, postproduction, VFX and animation, Marvel kept the ball rolling with Spider-Man: No Way Home, Shang-Chi and the Legend of the Ten Rings and Doctor Strange in the Multiverse of Madness, with Thor: Love and Thunder and Black Panther: Wakanda Forever set to hit theaters later this year. Here, Hollywood’s top 25(ish!) physical production executives share insights and stories about their top projects ahead of the event.

AFCI president Eve Honthaner says it’s “a uniquely exclusive annual event for film commission professionals held on a global scale.” The events include a networking reception, a Q&A with a curated group of executives and an optional tour day of major production sites, headlined by a June 29 power brunch (co-hosted by The Hollywood Reporter). After a two-year hiatus, the Association of Film Commissioners International, a group of more than 300 commissioners on six continents, will host AFCI Week from June 27 through June 30 at the Sofitel Los Angeles at Beverly Hills. From the sweeping desert vistas in Dune to Gotham’s gritty skyline in The Batman, Hollywood’s top physical production pros face the tall task of scouring the globe to realize a script’s vision on the screen.

Hollywood casino dayton exective producer renewal gifts